Based on a detail of the Hieronymus Bosch’s triptych ‘The Garden of Earthly Delights’, 1490-1510 (Museo del Prado, Madrid), specifically from its right panel: Hell.
In this painting, Hell is represented as a space of contrasts between extreme cold and heat. This is because in the Middle Ages there were several symbolic images of what a hell could be. Some were associated with eternal fire and others with extreme cold.
One of the most outstanding figures of this panel is a gigantic bird-headed monster feasting on human corpses, which he excretes through a cavity below him, into the transparent chamber pot on which he sits.
This monster is sometimes referred to as Satan or the "Prince of Hell", a name derived from the cauldron he wears on his head, perhaps representing a debased crown.
Infinite Evilness is a collection that explores different artistic representations of Evil throughout history, transformed into matrioshkas or russian dolls.